Rooted in best of both eastern and western worlds, the compositions are going to remain as classics forever. The songs of Metro are a set of landmark compositions in Bollywood music industry. Hai tujhe bhi izaazat, karle tu bhi muhabbat - 2 Iss jamaane se chhupakar - 2, puri karloon main hasrat (usako chhupaakar main sabse kabhi le chaloon kahin door.Īankhon ke pyaalon kse pita rahoon usake chehre ka noor) - 2 (second verse chords are identical to the first one) Jab mile thodi fursat - 2, mujhse karle muhabbat Main apani tanahaayi ke waaste abbb kuchh toh karoon Hai tujhe bhi izaazat, karle tu bhi muhabbatīerang si hai badi zindagi kuchh rang to bharoon But the heart of the song is in its melody, you got to get that right, at least most of it (not an easy feat). You can play the song with just one guitar or a piano or combination of both. One thing for sure, whether the song’s been lifted or not, he (Pritam) surely is a great arranger (unless of course, he engages someone else for arrangement). This song is all about its melody, the instrumentation is rich (just as every other song of Metro), fuller sound with lots of keyboards, distortion guitar, harmonica, etc.
However, I flinch before giving complete credit to its music director Pritam, because of instances of countless plagiarism! But one cannot take away the singing credits from Soham Chakraborty (are Pritam and Soham related? Chakroborty brothers? Name sounds similiar too).
#ROCK ON MUSIC HINDI MOVIE#
One of the finest melodies from movie Life in a …. The concept of Band Metro was very unique and done with a cinematic style, never tried before in Hindi movies. Yeh zeher bhi yuun piya hai, jaise sharaab ho Tu hi meri roshani hai, tu hi chiraag haiĭheere dheere mit jaayega, halka sa daag hai Yeh khaa moshi ji ne na de, ko i toh ba at ho Tujhko bhi toh ho raha hai thoda asar jaroor
Keh de mujhse dil mein kya hai, aisa bhi kya guroor Kaabu dil pe raha na, hasti hamaari khone lagi Kaa bu dil pe raha na, hasti ham aari khone la giīaatein kuchh ankahee si, kuchh ansuni si hone lagi I am transcrbing the chords for the grittier version of the song by Adnan Sami, however, if you must play the version which they filmed on, then just transpose everything to A.īaatein kuchh ank ahee si, kuchh ansuni si hone lagi The song has enough opportunity for vocals improvisation. Once again, I am not sure about the *origin* of the song, but its yet another superb song from one of the best movie album in recent years. The harmony in the song is a must, it lends so well to do harmony on part ‘wo ho ho … shayad ye hi hai pyar’! (of course there is harmonica on other version too). A nice harmonica adds to the bluesy feel of Adnan Sami’s singing. It sounds better in this scale, that’s my opinion. And Adnan’s song is in C, the other version is in A. There are two different versions of this song in Metro, but by all means I think Adnan Sami’s voice suits the song very much. The song is very reminiscent of the Aamir Khan’s character in the movie. Lyrics are fantastic, and if you have seen the movie, it takes you through the roller coaster ride once again.
Teri Kismat Ho Badi Jaise Jheel Mein Lehraye Chanda Yeh To Sur Hain Chaman Ke Kho Na Jaaye Ye Taare Zameen Par Muhaley Ki Raunakĭil Ki Duwayein Kho Na Jaaye Ye Taare Zameen Par Kabhi Baatein Jaise Dadi Nani Jaise Bansi Koi Bajaye Pedon Ke Taley Yeh To Jhonke Hain Pawan Ke Kho Na Jaaye Ye Taare Zameen Par Dekho Raaton Ke Seeney Pe Yeh Toh Thithurti Hatheli Ki Rangat Badal Dein Kho Na Jaaye Ye Taare Zameen Par [interlude: A E G#m F#m Kho Na Jaaye Ye Taare Zameen Par Yeh To Hain Sardi Mein Dhoop Ki Kirane Shankar-Ehsaan-Loy truly created magic for an even more magical movie, made by a magical director about a magical boy. Esp the bells bground throughout the song has been used very effectively. Definitely the other songs from TZP in my opinion are way more melodic and better compositions than this title track, but this is a nice composition as well.
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